The bandcamps: https://deixhrist.bandcamp.com/ and https://birdorgan.bandcamp.com/music
Solo
Dei Xhrist: I’m Sorry To Ruin Your Day So Early
Dei Xhrist: Locusts of Control
Dei Xhrist: Safe As Empty Houses
Dei Xhrist: The View From My Shoulders Is Fine
Ensemble
The COVID 19: Stay Home
Elka Bong: ziPlocKbaG
Demi Exegesis: Viscosity
Leap of Faith: Basepoints
Tyto Alba Quartet: First Sparrow
Demi Exegesis: I Closed My Eyes And It Was Terrifying
Xhristishoe: Why Don’t You Do Right
Birdorgan : Le Petite Mort de los Muertos
Birdorgan : Gorn
Birdorgan : Sammlung
Birdorgan : First Reenactment of the Second-And-Halfth Defenestration of Prog
Birdorgan : …Or A Woman Varying Her Pleasures
Birdorgan : Collaption
Birdorgan : Serinette
Various Artists/Comps
Listed chronologically.
Dei Xhrist: I’m Sorry To Ruin Your Day So Early
I hit an unreasonable amount of blocks creating this album, and no small frustration was the hum that I eventually identified as a damn hummy Monster Cable. But that’s such a great illustration by Morris Jurgensen.
Released by Cruel Symphonies – Link to Album
The COVID 19: Stay Home
19 musicians all improvising in isolation to produce 19 separate recordings, layered together into three pieces of music of 19 seconds, 19 minutes, and 2.5 minutes.
Released by Histamine Tapes – Link to album
Elka Bong: ziPlocKbaG
A solo track by Walter Wright (Board Weevil, contact mic, objects), joined by me (voice, Line 6 DL4, VoiceLive Touch 2) listening via headphones; finally joined and mixed by Al Margolis (alto clarinet, cello, Yamaha DX-9 synth).
Released by Elka Bong – Link to album
Dei Xhrist: Locusts of Control
So some guy on FB sent me a message, listing obscure female art/noise artists, and I ignored it because: FB/creepy creeps. When I finally responded, I learned he was a friend from college (second year SCAD), and what do you know, Psychic TV is a gateway listen to noise in all its beautiful discord.
These two pieces are my second attempt at extending signatures, layering, distortion and sampling using a live performance and a field recording. Track one is a creepy crawl through an abandoned bridge under the interstate to attend a glossolallic lecture for your degree in Cult Studies. Track two captures a lot of the atmospheric feel of a live event, with audience clatter giving way to a torch song of spreading wings gliding in to Lynch territory. Track 3 is back to the hymnal experience that is characteristic of my live performances.
Released by Park 70 – Link to album
Onomastic Records: Ghost Ship Love Letters
Track #14: Pearl Diver
On December 2, 2016, a tragic fire struck the Ghost Ship, an artists’ collective and DIY music venue in Oakland, California. 36 people were killed that night, including performers and audience members alike. ‘Ghost Ship Love Letters’ is a message of sympathy and solidarity, from alumni and friends of the electroFLUX Experimental Music Series in Erie, Pennsylvania to the families affected by this event. All proceeds from sales of this compilation will go to the Fire Relief, Recovery, and Resiliency Fund established by Gray Area Foundation for the Arts, a 501(c)3 non-profit organization supporting the arts and technology in the Bay Area.
For more on how you can help, please visit grayarea.org. For more on electroFLUX, please visit facebook.com/electroflux.music
Released by Onomastic Records (2017) – Link to album
Demi Exegesis: Viscosity
Dei Xhrist, voice
Matt Samolis, flute
Emilio Gomzalez, piano
Guests: Dave Pek, reeds; Kat Dobbins, trombone, voice, objects
Recorded at Third Life in Somerville, October 11, 2016.
Released by Matt Samolis (2016) – Link to album
Leap of Faith: Basepoints
PEK: clarinet & contra-alto clarinet, alto, tenor & sopranino saxophones, dulzaina, contrabassoon, sheng, daxophone, goat horn, fog horn, taxi horn, metal, game calls, whistles, siren, voice
Glynis Lomon: cello, aquasonics, voice
Bob Moores: trumpet, voice
Dei Xhrist: voice
Yuri Zbitnov: drums, metal, crotales, bells, voice
Recorded at Outpost 186, Cambridge MA November 2016.
Released by Evil Clown 9123 – Link to album
Dei Xhrist: Safe as Empty Houses
Dei Xhrist: voice
Matt Samolis: flute, voice
Recorded at the Anne Kramer Estate, Pickney Street Boston MA. Mrs. Kramer’s house was empty, available, a brownstone not remodeled since she moved there in the 70s.
Released by BopAnt Records (2016) – Link to album
Tyto Alba: First Sparrow
Dei Xhrist: voice
Matt Samolis: flute
Thadd Comstock: acoustic guitar
Ryan McGuire: upright bass
Recorded at Church of the Advent, Boston MA. The title refers to White Birch Brewing‘s retired First Sparrow – “weird yet quaffable.”
Released by BopAnt Records (2015) – Link to album
Demi Exegesis: I Closed My Eyes And It Was Terrifying
Dei Xhrist: voice
Matt Samolis: flute
Emilio Gonzales: piano, kalimba
Chamber music, of a sort. The title comes from an audience member comment about our performance at Trident Gallery in Gloucester, MA.
Released by BopAnt Records (2015) – Link to album
(Right, so the woman in the photo passed away the summer of 2015. I have been assured that she was A Character.) My second solo album was recorded in her empty house.
Xhristishoe: Why Don’t You Do Right
Dei Xhrist: voice
Matt Samolis: flute, voice
Jeoffrey Pooser: bass
Duo & trio recordings made on January 9, 2015 at Mamashoe World Headquarters, Wendell MA.
Released by Matt Samolis (January 2015) – Link to album
Dei Xhrist: The View From My Shoulders Is Fine
Dei Xhrist: voice
Marc Bisson: guitar
Voice is strongly featured in two live performances with Marc Bisson (guitar) and Greg Kowalski (live video manipulation). The first track was recorded the night I learned that Lisa Bufano had passed on, and before I realized how much our casual acquaintance had influenced me. Second track was recorded at 119 Gallery, Lowell MA during a show headlined by Jaap Blonk. The album title is a self-assured turn of the phrase, “if I have seen further, it is by standing on the shoulders of giants” (I. Newton). Released by BopAnt Records (2014) – Link to album
Birdorgan: Le Petite Mort de los Muertos
Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer
A radical departure in composition and form, with recurrent plein air performances.
Released by BopAnt Records (2013) – Link to album
Birdorgan: Gorn
Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer
This one’s woody.
Released by BopAnt Records (2012) – Link to album
Birdorgan : Sammlung
Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer
A speedy compilation of hits selected specifically for a performance at the White Haus.
Released by BopAnt Records (05/2012) – Link to album
Birdorgan : First Reenactment of the Second-And-Halfth Defenestration of Prog
Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer
I found several catalogs of modern furniture, all chocolate and black and white and chrome and, most importantly, thick stock that made ideal CD sleeves. The handmade name stamp was revived, and a new stamp cut for the CD sticker, based on a self-amusing painting by Penny Bruce, who has been kind enough to hold the camera for many birdorgan performances. You can hear her laughing on the last track. The inset includes a folded page torn from an encyclopedia of North American birds. You know, the one without the gannet. Mike Fun flexed some lingual muscles for the song titles and the CD title. The actual One and Halfth Defenestration of Prague probably has little lasting effect on modern aldermen, while we certainly have chucked prog rock (and Kraut- and space rock) out of the experiential window, with tiny confetti in their hair.
Released by BopAnt Records (08/2011) – Link to album
Birdorgan : …Or A Woman Varying Her Pleasures
Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer
Released by BopAnt Records (2011) – Link to album
Remember those free AOL discs in metal tins and composite board boxes? We saved about 100. The bird silhouette was snipped from a scrap of sheet aluminum, and the legs are wire coat hanger bits hot glued to the back. I also glued a length of coat hanger to the back, so that I could hold the silhouette in place while I spray painted the surface after sanding and a base coat.
And then that guy broke it.
Released by BopAnt Records (2010) – Link to album
Birdorgan : Collaption
Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer
Here we have the themes of space and distance abstracted within the selections on this album. The maps were from 50’s – 70’s National Geographic magazines that countless households have saved to keep the closet from having too much storage space. The title was cut out of a scrap of Yupo paper, which has held up over 100+ sprays (cardboard, on the other hand, holds up for about 3 sprays).
Released by BopAnt Records (2009) – Link to album
Birdorgan : Serinette
Marc Bisson: guitar
Dei Xhrist: voice, electronics
Mike Fun: modular synthesizer
First edition released in a hand cut and folded box form made from some heavyweight artist’s paper that Pat O’Neil (Skincrime, Self Abuse Records) gave Marc when he moved. The dripped edge has one “finger” that tucks in to an oval opening to keep the package closed. A stamp made of a block of wood and some cut fun foam announces the band name. This edition of about 70 was a pain in the wrist.
Released by BopAnt Records (2008) – Link to album
Other recordings on BopAnt Records
Birdorgan : Anger
Marc Bisson and Mike Fun performing a live score for Kenneth Anger’s Inaguration of the Pleasure Dome. Released by BopAnt Records (2007)
Bop Ants : Why Do The Musicians Stand Behind Panes of Glass
Marc Bisson with Katt Hernandez. The recording washes over you and pleasantly sets you adrift. Released by BopAnt Records
dei xhrist : voice and visuals 